Substack 100

 I have been silenced or censored by

-Instagram

-Twitter

-Bluesky

-Mastadon

-Facebook

-Youtube

But you know who hasnt?

Substack.  It does allow disgusting content there....but it also allows mine.

The Eyes Have it

Here 

The Queen in Blue - The Five Faces of the Dreamer

Opening Hook

"Welcome back, fellow travelers of the weird. Today we're diving into the final three stanzas of the poem 'I, Hastur' - arguably the most dangerous piece in the entire Emerson Portfolio. This is where everything comes together: the Shepherd, the Darkness, and the Yellow King converge in a dance that literally shaped reality itself."

Segment 1: "The Yellow King Speaks" (Stanza 3)

The third stanza reveals the Yellow King's own perspective - speaking in first person about its nature as a living idea, a memetic force that has corrupted civilizations throughout history. Key discussion points:

• The Yellow King's claim to have "always been" yet also having an origin point
• The litany of fallen cities: Dilmun, Atlantis, Troy, Iram of the Pillars, El Dorado
• The revelation that the King exists in a temporal loop
• The twisted love story at its heart - the King's obsession with "Her" (the Queen in Blue)
• How the King describes itself as simultaneously hate incarnate yet capable of love

Analysis: This stanza humanizes the cosmic horror in the most disturbing way possible - showing that even entities of pure corruption can experience genuine emotion, making them more dangerous, not less.

Segment 2: "We Are Hastur" (Stanza 4)

The fourth stanza shifts to the original Hastur - the Count who became the first Yellow King through autogenocide (destroying all alternate versions of himself). Discussion includes:

• The aristocratic origin story in Carcosa
• The child who played with spiders and learned dark magic
• The Phantasmagoria Ball as the ultimate ritual
• The disturbing mechanics of becoming the Yellow King through self-annihilation across infinite realities
• The [REDACTED] play section that was literally torn from the manuscript

Listener Warning: Rhombus Ticks himself warned that this section nearly cost him his sanity. The memetic infection is real, folks.

Segment 3: "The Queen in Blue Opera" (Stanza 5)

The final stanza presents Scriabin's operatic translation, allegedly from Sanskrit found in Etruscan ruins. This is where we get:

• The dual narrative structure following both the maid Boquet and the cosmic entities
• The famous refrain: "Thou shalt dance with the queen tonight boys"
• The Dreamer/Hound's declaration of power over nightmares
• The convergence at the Phantasmagoria Ball where King and Queen finally meet
• The paradox explained: "The Dreamer is the King / But the King is not the Dreamer"

The Core Revelation: The Queen in Blue tamed the Yellow King through a combination of love, strategy, and the deployment of the Ethan Baton bloodline as a "check" against the King's power. She founded a lineage specifically designed to produce someone who could focus the Dreamer's power against the King when needed.

Closing Analysis

These three stanzas complete the cosmic chess game:

• The Shepherd/Haita provides the white light of protection
• The Darkness represents entropy and the void
• The Yellow King embodies corruption and ascension through hubris
• The Queen in Blue uses love and strategic patience to maintain balance
• The Dreamer/Hound acts as enforcer of the balance

The poem suggests all five faces are aspects of Hastur, operating across different layers of reality simultaneously.

Final Warning

Remember Dr. Bathory's forward: read this material once if you must, but protective rituals are recommended. Rhombus himself became infected and had to journey to Carcosa seeking answers.

As always, stay skeptical, stay safe, and remember - some knowledge comes with a price.

[End theme: discordant strings fading into static]

---

Episode Notes:

• This material is from the Emerson Portfolio, translated by Dr. Persephone Bathory
• Multiple scholars report temporal anomalies with this text
• Carbon dating results are contradictory and "supernatural"
• For mental health resources, please see our website

The Queen in Blue - The Lost Story

[Poem] King Trump

 By Emmit Other

There is a king who isnt

Who think he is but wont

Admit it 

Cause he is Donnie Dont

He admit guts like Hitler

And has a Cabinet full of Bats

Dude cant keep his underwear

From soiling like the box o cats

His minions are not cute and yellow

But red faced drunk and angry

But totally not SS Hello!

For a guy that needs depends

He uses the Constitution for TP

Rumor on the street is

He has a tiny mushroom peepee

Rumor also lets us know

There is a buncha protests

No Kings No Kings No Kings today

Or know nothing like Jon Snow

The Queen in Blue - I Hastur - The Unspeakable

The shepherd’s quiet guardianship meets its first true resistance as the ancient dark stirs—and what creeps within it becomes the Unspeakable. The shift is gradual: things “crept into the Darkness / and became something Unspeakable,” until the shepherd realizes the void is awake and fighting back.

The Queen in Blue - Deployed

The clash rips the spirit-realm’s middle lands—especially the Dreamlands—into shreds; the shepherd’s pain echoes across creation, but the Unspeakable suffers more.

The Queen in Blue - Deployed

It isn’t a clean victory; rather, the shepherd barely prevents the Unspeakable from rousing the elder powers “when the stars were not right.”

The Queen in Blue - Deployed

Then the Sign arrives, branding the world in three hues—Black (Unspeakable), White (Shepherd), Yellow (Carcosa)—stabilizing the realm even as it deepens its corruption.

The Queen in Blue - Deployed

The roar of whispers that once promised the Old Ones ebbs to a faint hiss; for a time, balance holds—but only as a war of attrition.

The Queen in Blue - The Lost Story

[Poem] Deacons Little Finger

 By Emmit Other

Dis is complex 

But I willz simplifies

Authority is a spiritual drivers liscence

A church uses to say 

How you connect to Gawd

Catholics claim tis Peter

The Rock and Line of Christ

Protestants say its da Bible

You has a direct line to Gawd

Mormons say Gawd waited 

1700 years

To reconnect da phone

Cause the True Church needed

Mericuh

Der is an LDS joke

That a deacon

(A 12 year old boy)

Has more Authority 

In his little finger

Than da Pope

But last I check

The Pope is condemning Nazis

Dallin H Oaks?

Crickets

And the prophet before him

So do you believe Gawd loves nazis

Or maybe

Just maybe

Jospeph Smith

Was lying

https://poetizer.com/poem/1652228461

The Queen in Blue - The First Shepard (I Hastur)

In this opening stanza, the story pulls us back to a primordial time—before the moon cast its shadow, before Carcosa, even before humanity’s discovery of fire. We meet the figure who would become known as the First Shepherd, a good man who loved his sheep so deeply that their bond transcended the physical. Together they dreamed, and in those dreams, he stood guard.

When nightmares threatened his flock, he discovered fire—not as a tool for cooking or hunting, but as a weapon of protection. Fire here is cast not as mankind’s first technology, but as a spiritual gift: a beacon to guard innocence against the darkness. This act transforms him from a simple caretaker into a mythic figure. The stanza closes on a warning—fire protects, but fire also burns. Its power is double-edged, foreshadowing the ambivalence of every gift that comes from beyond

The Queen in Blue - The Lost Story