Things are a bit chaotic. We will have plenty of interesting stuff very soon.
Wednesday, September 30, 2015
Tuesday, September 29, 2015
[Script] Unfood - Page 25
25.
INT – MESS HALL – DAY
Freight dumps the rat into the creator, humming to himself,
wearing a very crude bandage which is obviously
bleeding. He smiles in triumph as he eats a hamburger which
has slightly more charred bits inside of it.
SCENE 7 - EXTERIOR – SHIT WORLD - “DAY”
A dark clouded miasma extends into the sky around a farm,
two cloaked figures covered in Mud and Shit, work on ugly
bulbous plants.
AARON
I (beat) I can’t take it anymore.
KENDRA
The captain will get us out.
A sound appears on the horizon and they gaze up
hopefully. That hopeful expression rapidly becomes one of
dread.
AARON
Oh no.
KENDRA
Run! Get inside!
They both proceed to run towards the hovel. A roaring noise
covers the ground around them, as the ship, now covering
half the horizon from its size and scope, opens up a number
of ports underneath. There is a brief venting of more of
the brown gas which seems to cover everything.
Then the shit begins to rain down. It covers absolutely
everything. The two of them do not make it to the hovel and
it knocks them down. They both try to get up only to get
knocked down again. A third time they are knocked down,
first Aaron, then two more hit Kendra. Just when it looks
like they are going to roll over and die, the shit storm
stops and they both manage to roll over on their backs,
appearing with slight smatterings of shit pouring around
them.
KENDRA
God. Damn. It.
AARON
That’s it. I’m slitting my wrists.
(CONTINUED)
Monday, September 28, 2015
Fun with ACX
So I am all set to upload I, Odyessus the musical the audiobook to ACX, which is the website that lets it load to audiobooks but it turns out they need the file format broken out by opening credits, closing credits, main product and sample. It was frustrating to be so near and yet so far.
In other news, I'm getting the proofs for Grenademan Vs the Zombies tomorrow which should be nice and hopefully I'll be able to have my books. Given that things are a bit tight at the moment, I might be doing some old Red Anvil Productions stuff (The Fate of Inglemia) to earn some extra cash. The short stories are tempting. I need to put up Unfood but to properly do it each month I need to pay around $65 for Fiona and Rachel to edit and do a cover. It doesn't sell, and for self promotion (such as it is) novels are much more efficient so I'm working on Tossing Grenades at Windmills the novel again.
You likely noticed an absence of Saved by the Circular file.....I'm not sure what to do with it. If you have an old story you'd love to hear in podcast form that you wrote, even if it was in high school, let me know and email redanvilcreative@gmail.com. I'd love to put it up.
We'll be starting the third fairy tale seed on Wed and continuing the second on Friday.
Fun times.
In other news, I'm getting the proofs for Grenademan Vs the Zombies tomorrow which should be nice and hopefully I'll be able to have my books. Given that things are a bit tight at the moment, I might be doing some old Red Anvil Productions stuff (The Fate of Inglemia) to earn some extra cash. The short stories are tempting. I need to put up Unfood but to properly do it each month I need to pay around $65 for Fiona and Rachel to edit and do a cover. It doesn't sell, and for self promotion (such as it is) novels are much more efficient so I'm working on Tossing Grenades at Windmills the novel again.
You likely noticed an absence of Saved by the Circular file.....I'm not sure what to do with it. If you have an old story you'd love to hear in podcast form that you wrote, even if it was in high school, let me know and email redanvilcreative@gmail.com. I'd love to put it up.
We'll be starting the third fairy tale seed on Wed and continuing the second on Friday.
Fun times.
Saturday, September 26, 2015
Your Answer (The 500)
A short piece written for a prompt for the 500 website.
by Rhombus Ticks
Sound Editing Grayson Bergmann
Thursday, September 24, 2015
[Script] Unfood - Page 24
24.
INT – CORRIDOR – NIGHT
The elevator opens to a corridor. He turns around
carefully. He hears some scurrying in the corner and
listens in that general direction.
INT – CLOSE UP – NIGHT
A rat snuffles around in the corner. It finds a small bit
of cheese and nibbles on it.
INT – CLOSE UP – FREIGHT’S FACE
Freight finally sees what it is and is rather
disgusted. Then his face slowly becomes resolute.
INT – CLOSE UP – RAT
Rat continues to nibble, blissfully unawares.
INT – CORRIDOR –
Freight slowly sneaks up on the rat.
INT- CLOSE UP – RAT
Rat looks up, concerned.
INT – CLOSE UP – FREIGHT
Freight smiles maniacally.
INT – CORRIDOR – NIGHT
Freight draws his blaster. He points it at the rat and
shoots it several times, reducing the rat to a crispy
critter. He picks up the rat, most of which is now
ash. Freight cries in frustration, pounding his hand into
the wall; one of which has a sharp spike in it. Freight
injures his hand.
Wednesday, September 23, 2015
[Fairy Tale] Elowyn Wisp - Part 7 - The End
You can learn of the rules here.
On and on the man flew until at last he returned to the great crystal gazeebo where Elowyn had been lain before. She was unconcious, and looked extremely pale. Taking the earth from outside of the farm and mixing it with the earth here in this otherworldly realm, he planted Elowyn down on top of it.
At first nothing happened, and the Man cried all night and all of the birds and beasts cried as well. But then the sun began to arise and it shone through the wondrous crystals of the gazebo and made a fire and a light in a sea of shimmering sunshine. The clouds drifted away, and the orange and reds of dawn slowly gave way to a perfectly lovely blue sky.
And Elowyn fluttered her eyelids and she took a deep breath. "Oh my, I feel much better!"
The man wept for joy and everyone celebrated.
Elowyn smiled as her father had saved her. "Now you can live here forever with me."
And so he did. And they had a magnificent feast every day and heard stories of all the world over and rested and knew peace forever more, and Elowyn was always healthy and shining and bright and always remembered how her father had saved her and as a result was even kinder than she otherwise would have been to every living thing and thus her realm became a sanctuary for all that was good and holy forevermore.
The end.
On and on the man flew until at last he returned to the great crystal gazeebo where Elowyn had been lain before. She was unconcious, and looked extremely pale. Taking the earth from outside of the farm and mixing it with the earth here in this otherworldly realm, he planted Elowyn down on top of it.
At first nothing happened, and the Man cried all night and all of the birds and beasts cried as well. But then the sun began to arise and it shone through the wondrous crystals of the gazebo and made a fire and a light in a sea of shimmering sunshine. The clouds drifted away, and the orange and reds of dawn slowly gave way to a perfectly lovely blue sky.
And Elowyn fluttered her eyelids and she took a deep breath. "Oh my, I feel much better!"
The man wept for joy and everyone celebrated.
Elowyn smiled as her father had saved her. "Now you can live here forever with me."
And so he did. And they had a magnificent feast every day and heard stories of all the world over and rested and knew peace forever more, and Elowyn was always healthy and shining and bright and always remembered how her father had saved her and as a result was even kinder than she otherwise would have been to every living thing and thus her realm became a sanctuary for all that was good and holy forevermore.
The end.
Tuesday, September 22, 2015
[Script] Unfood - Page 23
CONTINUED: 23.
in a hyper user friendly interface which bears no
resemblance to that of a video game whatsoever. The health
bar shows 60%. Freight searches through the cargo hold and
finds loads of socks. The health bar shows at 50%. Freight
lies down on the floor, unable to move. The Health bar
shows 40%.
Freight has grown a beard and mustache. He also has lost
weight. He gurgles with frustration at a full cooked meal
that looks absolutely delicious and knocks it off of the
table and howls at the Creator with frustration. He takes
the plate (which is unbreakable) and bangs it on the side of
the creator several times.
He looks distraught and desperate.
SCENE 6 - INT – NIGHT - SHIPS CONTROL ROOM
Freight lies back inside of the Ship’s control room, trying
various setting without much use. He changes channels
slowly, trying to get a result. As he flips through the
channels, he eventually gets a result, a small haze of red
that appears on the screen but is pretty small.
FREIGHT
What the hell was that?
SHIP’S COMPUTER
Unknown.
FREIGHT
Can’t you do better than that?
SHIP’S COMPUTER
Unknown life form.
FREIGHT
Good. (beat) Very good.
He smiles widely. This is the best news that he has had in
a while. He moves towards the elevator and presses the
button.
INT – ELEVATOR – NIGHT
Freight rubs his hands together and cackle Wylie E Coyote
style.
Monday, September 21, 2015
Flying Fusion Fortress
In my world, there is a bit of an urban legend that there is a flying bomber with a fusion power plant. It's a curious rumor, because it ascribes both great competence and complete incompetence at the same time. There are many rumors, but the most reliable one is that the famed water powered car was actually a form of cold fusion that was immediately confiscated by the government to keep the economy from going berserk, but it was still apparently appropriated for many interesting government projects. Supposedly flying saucers really use the fusion engine found from this car, rather than Roswell or other reverse engineered alien technology.
But at the same time, hundreds of billions of dollars have been sunk into "Project Patience" which is often nicknamed "Project Pitiful." The planes were supposed to be able to fire lasers into Soviet air space causing targets to be destroyed untracably. Eventually, they were also supposed to be able to destroy enemy missiles or counter the Soviet Orbital Attitude Control Lasers.
But no one has ever seen it in action. There were all kinds of rumors about it being used in Jade Spear and Magic Helmet, in fact some people believe that it had a critical element of turning this war against the Republic of Texas....but leaked documents also show that it doesn't actually work. More rumors speak of a small renegade group of rogue scientists that actually have an operational version of the spy plane, but they won't share the details on how to replicate it with the contractor.
But who knows? Still, even if it actually works, it is the most expensive weapons platform in history. And I can't help but wonder...wouldn't forty years be enough time to figure out how to make something like fusion work for the economy? Or are some people so obsessed with their secrets that they insist on keeping things the way they want to be.
Every time I look over the wasteland that is East Texas, I have to wonder if war is really worth it. Still, better here than exported around the world I suppose....
But at the same time, hundreds of billions of dollars have been sunk into "Project Patience" which is often nicknamed "Project Pitiful." The planes were supposed to be able to fire lasers into Soviet air space causing targets to be destroyed untracably. Eventually, they were also supposed to be able to destroy enemy missiles or counter the Soviet Orbital Attitude Control Lasers.
But no one has ever seen it in action. There were all kinds of rumors about it being used in Jade Spear and Magic Helmet, in fact some people believe that it had a critical element of turning this war against the Republic of Texas....but leaked documents also show that it doesn't actually work. More rumors speak of a small renegade group of rogue scientists that actually have an operational version of the spy plane, but they won't share the details on how to replicate it with the contractor.
But who knows? Still, even if it actually works, it is the most expensive weapons platform in history. And I can't help but wonder...wouldn't forty years be enough time to figure out how to make something like fusion work for the economy? Or are some people so obsessed with their secrets that they insist on keeping things the way they want to be.
Every time I look over the wasteland that is East Texas, I have to wonder if war is really worth it. Still, better here than exported around the world I suppose....
Sunday, September 20, 2015
Saturday, September 19, 2015
Grenademan Vs The Zombies - Chapter 11 Part 2
Jarvi makes a fourth kind of Zombie.
Performed by Rhombus Ticks
Written by TC Ricks
Edited by Fiona Skye
Sound Editing Grayson Bergmann
Thursday, September 17, 2015
[Script] Unfood - Page 22
CONTINUED: 22.
FREIGHT
You’re joking.
SHIP’S COMPUTER
I am not programmed to joke.
FREIGHT
Now that was a joke.
SHIP’S COMPUTER
Yes.
FREIGHT
Well, it was a funny joke. So how
do I solve this problem?
SHIP’S COMPUTER
Eat.
For a moment Freight looks like he is going to hit the
computer. He picks up a wrench and then thinks better of
it. He knows it isn’t a true AI.
FREIGHT
I mean what?
SHIP’S COMPUTER
Eat food.
FREIGHT
Right. Duh. Alright. Thanks
computer.
SHIP’S COMPUTER
You are welcome. Thank you for
thanking me.
FRIEGHT
Don’t even start that again. Shut
up.
SHIP’S COMPUTER
Shutting up sir.
SCENE 5 - INT – DAY - ALL OVER THE SHIP
Third montage. Freight searches the ship for food. He
keeps finding none. Cut to a medical chart that shows his
body’s condition getting worse as a finite percentage of
health. The scene starts with him looking in the quarters
of the rich people he searched before. There is a tiny
readout in the corner of the screen which shows a health bar
(CONTINUED)
Wednesday, September 16, 2015
[Fairy Tale] Elowyn Wisp - Part 6
You can learn of the rules here. I have decided there is only forward. Sometimes I am going to miss a day. Trying to back fill every slot will drive me berserk.
The man was exhausted from lack of breath. Running and riding and sailing and fretting had all taken their toll, but at least he still had his health unlike his poor daughter Elowyn.
"Whatever is wrong?" asked the Wren.
"I am tired, and have some way yet to go. Elowyn is ill, and I must fetch her Earth from our home for..." he thought a moment. "Well I don't know exactly why she needs it, only that she does. And I am worried that something has happened to her while I came all the way here or am going all the way back..."
"Oh no!" Chirped the wren. "We must not let something happen to poor Elowyn! I am still thankful about how you saved me, and my children have grown strong as have their children." The wren began to chirp, and a giant flock of wrens, hundreds and hundreds of them flew down from the heavens and the woods and then gathered around the man like a storm cloud, lifting him into the air and taking him through the sky to his home.
Quickly, he reached down and gathered several handfuls of dirt and off into the clouds again they flew.
The man was exhausted from lack of breath. Running and riding and sailing and fretting had all taken their toll, but at least he still had his health unlike his poor daughter Elowyn.
"Whatever is wrong?" asked the Wren.
"I am tired, and have some way yet to go. Elowyn is ill, and I must fetch her Earth from our home for..." he thought a moment. "Well I don't know exactly why she needs it, only that she does. And I am worried that something has happened to her while I came all the way here or am going all the way back..."
"Oh no!" Chirped the wren. "We must not let something happen to poor Elowyn! I am still thankful about how you saved me, and my children have grown strong as have their children." The wren began to chirp, and a giant flock of wrens, hundreds and hundreds of them flew down from the heavens and the woods and then gathered around the man like a storm cloud, lifting him into the air and taking him through the sky to his home.
Quickly, he reached down and gathered several handfuls of dirt and off into the clouds again they flew.
Tuesday, September 15, 2015
[Script] Unfood - Page 21
CONTINUED: 21.
SHIP’S COMPUTER
Can you be more specific?
FREIGHT
Yes!
SHIP’S COMPUTER
Would you please be more specific?
FREIGHT
My stomach hurts!
SHIP’S COMPUTER
What was the last thing you ate?
FREIGHT
A tuna and watermelon milk shake.
SHIP’S COMPUTER
That could be giving you gas.
FREIGHT
No, it couldn’t. It was Unfood.
SHIP’S COMPUTER
Oh.
A series of sensor probes examine Freight.
FREIGHT
What? What is it?
SHIP’S COMPUTER
You’re starving to death.
Freight sneers.
FREIGHT
WHAT? I’ve been eating so much it
hurts.
SHIP’S COMPUTER
Unfood has no caloric intake.
FREIGHT
English please.
SHIP’S COMPUTER
It has no substance. It might
taste like real food but you cannot
live on it. You are dying.
(CONTINUED)
Sunday, September 13, 2015
Saturday, September 12, 2015
Grenademan Vs The Zombies Chapter 11 Part 1
The Circle is fighting for is life. Jarvi does fun things with Volcanos.
Written by TC Ricks
Performed by Rhombus Ticks
Sound Editing: Grayson Bergmann
Editing: Fiona Skye
Friday, September 11, 2015
Thursday, September 10, 2015
[Script] Unfood - Page 20
CONTINUED: 20.
Freight grows bored with the video at this point and turns
it off. He reads the blank screen for a moment.
FREIGHT
Huh.
Freight looks from the screen to the Creator. Then he does
this a second time. And a third. Then he grins broadly.
SCENE 3 - INT – ALL OVER THE SHIP - DAY
A second montage begins with the food. Freight makes a
series of elaborate patterns on plates. At one point gets
pale and folds over in pain. Freight ignores it. He covers
himself in food. Quick flash between the nacho suit, the
meatball suit, and the candy suit. While wearing the candy
suit, Freight doubles over in pain again, looking worse. He
ignores it again and starts Bowling for Broccoli. He sets
up a food fight with catapults and other "weapons" made with
meatballs and a wall of bread ready for an attack at a
moment’s notice. Freight scans around with paranoia as if
seeking out an attacker but then realizes that there is no
one to have the food fight of the century with. He sags
with disappoint, shrugs and goes back to the drawing board.
He sets up a series of dominoes made of marshmallows which
lead to the food town that he set up earlier. He lights the
trail of marshmallows on fire, which catch one by one down
the trail until the entire town burns. Freight stands in
the middle of it with a fiddle playing whilst food town
burns.
Freight doubles over a third time. He shrieks and falls to
the floor, falling unconscious. He wakes up in a pile of
his own drool, with food strewn about.
SCENE 4 - INT – MED BAY - DAY
Freight goes into the med bay which is a small room about
twice the size of the average closet. It has a bed that can
be lain on with several sensor arms with multi tools
attached. Freight finds the terminal and activates the
verbal interface.
SHIP’S COMPUTER
Please state the nature of the
problem.
FREIGHT
I’m in excruciating pain! That’s
the problem.
(CONTINUED)
Wednesday, September 9, 2015
[Fairy Tale] Elowyn Wisp - Part 5
You can learn of the rules here. I was in fact ill for three days, and had to take the bulk of Friday off of work even though I work from home and Saturday to recover from it. Thank you for your patience.
"Father, I am ill."
"Why, whatever has caused it?" He asked with all the concern and love that only a father can show.
"I am of two kingdoms, both where I am from there, and from here, the Temple of the Farthest Star. Can you help me?"
"What a silly question child," for it was indeed a silly question, and the Man Who Did Not Know Too Much never thought he would tell those words to another soul, but in this case, he had no choice. "If I can but do the slightest thing in the world or the biggest thing to move a mountain, you have but to name it, and I will find a way."
And so she smiled and the world lit up a bit more, as did her father's heart. And so for it all she said,"Can you go home and bring three bags of earth back here for my bed? And then I shall mix the earth here and there and be well again?"
"It shall be done." And he hugged her and sang her a lullaby to help her to sleep, and quick as he could, he began to go home. This was not very quick, but as he traveled he found the tigers who offered him a ride, and for three days he rode on the back of a tiger.
And then the tiger tired and could help him no more, and a mighty stag came and helped him. One word of the name of his daughter and he had no choice. On and on he rode.
Until he came at last to the tree where he had rescued the Wren from the snake.
"Father, I am ill."
"Why, whatever has caused it?" He asked with all the concern and love that only a father can show.
"I am of two kingdoms, both where I am from there, and from here, the Temple of the Farthest Star. Can you help me?"
"What a silly question child," for it was indeed a silly question, and the Man Who Did Not Know Too Much never thought he would tell those words to another soul, but in this case, he had no choice. "If I can but do the slightest thing in the world or the biggest thing to move a mountain, you have but to name it, and I will find a way."
And so she smiled and the world lit up a bit more, as did her father's heart. And so for it all she said,"Can you go home and bring three bags of earth back here for my bed? And then I shall mix the earth here and there and be well again?"
"It shall be done." And he hugged her and sang her a lullaby to help her to sleep, and quick as he could, he began to go home. This was not very quick, but as he traveled he found the tigers who offered him a ride, and for three days he rode on the back of a tiger.
And then the tiger tired and could help him no more, and a mighty stag came and helped him. One word of the name of his daughter and he had no choice. On and on he rode.
Until he came at last to the tree where he had rescued the Wren from the snake.
Tuesday, September 8, 2015
[Script] Unfood - Page 19
19.
Freight loses his cool and is about to shout at the computer
but stops himself a moment and then listens. The computer
does not respond. Satisfied, he smiles to himself and moves
his hands in a ’job done’ motion as he walks away from the
computer.
INT - DAY - MONTAGE
A montage begins as Freight spends time on the ship. He
spots several rich quarters and explores them. In one room,
he spots a hyper realistic video game and plays it for a
bit. In another, he finds a large pile of furs, money and
other luxurious items and rolls around on it. In a third,
he finds a collection of ancient weapons and dresses up in a
mismatched set of armor and runs around the ship wielding a
katana in ’armor’. He runs by the ship’s mess and spots the
Creator.
SCENE 2
INTERIOR – SHIP’S MESS – DAY
Freight finds the Creator. It is a large impressive looking
machine in a galley which is not immediately obvious what it
does based on appearance but still practically able to
produce large amounts of food in any amount imaginable.
FREIGHT
What. The. Hell. Is that?
The machine, of course, does not answer.
Freight looks the machine up and down, trying to figure it
out. He finds several buttons but no immediate answer as
to what it is. He searches around the room and finds a
computer terminal. He pushes the button examines through
several files before finding one on the mess hall.
INSTRUCTIONAL VIDEO
Hi there! I’m Gerald Danes. I’m
here to talk to you about the
Creator 9000. The Creator 9000 has
been programmed with food material
from across known space. All you
have to do is type the food you’re
looking for into the screen, put in
enough mass for the Creator to
provide your food and the wonders
of modern molecular chemistry do
the rest. No mess, no fuss, no
time spent cooking and best of all,
no calories!
(CONTINUED)
Monday, September 7, 2015
[The 500] Your Answer
The 500 is a literary site in which authors contribute to a literary question, in this case "Where do we go from here?" I answered. Quite literarily.
Your Answer
by Rhombus Ticks
Left. Well. You asked.
What? You wanted a different answer. A hundred years ago, the answer was
West. Fifty years ago the answer was Beverly Hills. In the 80s, it was
this little old place where we can get together.
You asked. I answered. Go left.
Don't go that other way. That other way would lead you straight to that
nasty castle. You think I'm joking. Sure...sure...sure...there is
dancing Goblins and a baby that seems to be gravitationally challenged,
but at the same time, the only way to go forward is to go back, jack, do
it again, else they turn you round and around until you don't know which
end is up.
Go left.
Right is wrong. And wrong is slowly becoming right. Any direction can
always take you back to where you started but if you start in the Pit of
Despair lolling over the Bog of Eternal Stench then you are probably way
way way way way in right field and there is no answer for it but truth.
Go back to the beginning. It is as I said. Your answer was found early.
Oh. You want more. What do I look like a Pez dispenser?
I told you what to do. How many more parables do you need? This above
all, to thine own self be true. Most people, when faced with their true
reflection, run screaming from the magic mirror gate. You ever wonder why
that is? What is that true reflection?
Perhaps it is because introspection is frightening. That gaping maw of
the true depth of your character might be that of a soggy Krispy Kreme
left over plate and you can't handle the truth if it came and bit you on
the ass. Guess what? It is. It's knocking, so loud it could wake the
dead.
Speaking of truth, you will be dead one day...so why waste a minute more
lying to yourself? What do you do about it? What wise words will motivate
you to do something? What could the answer possibly be?
Go left.
Your Answer
by Rhombus Ticks
Left. Well. You asked.
What? You wanted a different answer. A hundred years ago, the answer was
West. Fifty years ago the answer was Beverly Hills. In the 80s, it was
this little old place where we can get together.
You asked. I answered. Go left.
Don't go that other way. That other way would lead you straight to that
nasty castle. You think I'm joking. Sure...sure...sure...there is
dancing Goblins and a baby that seems to be gravitationally challenged,
but at the same time, the only way to go forward is to go back, jack, do
it again, else they turn you round and around until you don't know which
end is up.
Go left.
Right is wrong. And wrong is slowly becoming right. Any direction can
always take you back to where you started but if you start in the Pit of
Despair lolling over the Bog of Eternal Stench then you are probably way
way way way way in right field and there is no answer for it but truth.
Go back to the beginning. It is as I said. Your answer was found early.
Oh. You want more. What do I look like a Pez dispenser?
I told you what to do. How many more parables do you need? This above
all, to thine own self be true. Most people, when faced with their true
reflection, run screaming from the magic mirror gate. You ever wonder why
that is? What is that true reflection?
Perhaps it is because introspection is frightening. That gaping maw of
the true depth of your character might be that of a soggy Krispy Kreme
left over plate and you can't handle the truth if it came and bit you on
the ass. Guess what? It is. It's knocking, so loud it could wake the
dead.
Speaking of truth, you will be dead one day...so why waste a minute more
lying to yourself? What do you do about it? What wise words will motivate
you to do something? What could the answer possibly be?
Go left.
Sunday, September 6, 2015
Archivist Interviewing Archivist
Julia Carlson Ricks interviews Lockey Burdin Lawson. One is an archivist that has just started her career, the other served during the 50s, 60s and 70s.
Saturday, September 5, 2015
Where I'm From
Rhombus recounts two anecdotes of where he is from, one from the Nation of Texas's war on the United States and the other called, "Mr. Right and Mr. Kind."
Friday, September 4, 2015
[Fairy Tale] Untitled Tale #2
You can learn of the rules here. This is the seconds of the seeds that the group created. This tale will be updated on Fridays until done.
Once
there was a terrible storm at sea, with lightning and thunder and wind
most foul. The king's grand longboat had spun upon the sea like a piece
of cork and finally been pulled apart.
“Hutetu!”
cried the young prince as he grabbed for a raft made of timbers, being
torn hither and yon by the deep blue sea. Just as the sea was about to
rip free his grip, the raft's sole inhabitant, a young ship's boy, an
orphan of low class, grabbed the prince's hand to save him.
The
prince pulled his hand away, refusing the filthy boy's touch, and was
thrown free by the pell mell crashing of the waves. The ship's boy
wanted to cling to the raft, but no one should drown, so he let go and
swam out to him, but the prince would have none of it.
Finally,
the ship's boy asked the Sea if she would save the prince. The Sea
being as she is, and at that moment being full of fury and candor,
screeched back, "Why ask me to save the prince, when I have taken your
captain and the sailors and the king and the vicar?”
“Because it is something I can ask. Please save him.”
The Sea said, "What a feckless fool you are. He is braggart and unworthy of me.”
“Please,” said the ship's boy as he swam back toward the raft.
“Very well,” said the Sea in annoyance, "but he shall regret it.”
And so the Sea saved two lives that day, because she could.
In
all the world, there is an island for every kind of animal where they
talk and run all the live long day as if the island were their own. And
the prince she sent to the Island of Baboons, where they eat with their
faces and snarl and scratch and are most uncivilized. And so, the prince
became a baboon.
But
the ship's boy she sent to the Island of Turtles, because turtles are
kind, as was the boy. And, anyway, the island was close, and so not
much work for her to put him there. And the sun came out, and the sky
cleared and the Sea calmed, content in her good deed, quickly forgetting
the dead souls caught deep within her bosom.
The ship's boy washed ashore, exhausted by the long ordeal, and promptly fell into a deep sleep. When he awoke, two wide eyes looked down on him.
Thursday, September 3, 2015
[Script] Unfood - Page 18
CONTINUED: 18.
FREIGHT
I’m stranded.
SHIP’S COMPUTER
I’m Terribly Sorry about
that. We’re working to fix the
problem but the next supply ship
will not be here for
DIFFERENT FAKE VOICE
Three months two days and seven
hours.
SHIP’S COMPUTER
In the mean time, feel free to
enjoy the ship’s facilities as much
as you like. Per interstellar
treaty, you will be billed for your
time on board, but we recognize the
difficult situation in which you
find yourself, and will gratefully
extend you a line of credit until
you are able to pay us back.
FREIGHT
Thanks.
SHIP’S COMPUTER
No, thank you. Service is
pleasure.
FREIGHT
Right.
SHIP’S COMPUTER
Thank you.
FREIGHT
Shut up.
SHIP’S COMPUTER
Of course. Thank you for asking me
to shut up.
FREIGHT
SHUT UP!
SHIP’S COMPUTER
Gratefully shutting up now.
Wednesday, September 2, 2015
[Fairy Tale] Elowyn Wisp - Part 4
You can learn of the rules here. I felt this story deserved a title at this point. None of the members of the group suggested a continuance, so I moved it forward. A second story will occur on Fridays starting this week or next.
He walked through a briar patch made of rosewood and dust, swirling around with sapphire and ruby dust motes. As he walked the stars shimmered and rippled as if the sky were a bed sheet being changed with new stars each time someone shook the sheets. The ground hummed and as he walked it worked up his bones and to his teeth.
Then he came to a large lake surrounded by white and gold bamboo, with all of it cut and formed into a giant artificial island in thick slabs as wide as a man's leg with a regal pathway that went to the still waters. Soft gentle music slowly played in the background.
There was his daughter, lying despondent on the ground. She was so sad and crying so hard that her father did not know what to do.
"Why are you crying Elowyn?" he asked her.
At first, she did not hear and wept only.
Despondent, he tried again. "Why are you crying daughter mine?"
At this she stopped crying and looked up, looking hopefully at her father and then she started crying a second time.
A third time he asked,"Why are you crying my beloved daughter? I will do anything I can to make it better or fix what is wrong.."
And then she smiled.
He walked through a briar patch made of rosewood and dust, swirling around with sapphire and ruby dust motes. As he walked the stars shimmered and rippled as if the sky were a bed sheet being changed with new stars each time someone shook the sheets. The ground hummed and as he walked it worked up his bones and to his teeth.
Then he came to a large lake surrounded by white and gold bamboo, with all of it cut and formed into a giant artificial island in thick slabs as wide as a man's leg with a regal pathway that went to the still waters. Soft gentle music slowly played in the background.
There was his daughter, lying despondent on the ground. She was so sad and crying so hard that her father did not know what to do.
"Why are you crying Elowyn?" he asked her.
At first, she did not hear and wept only.
Despondent, he tried again. "Why are you crying daughter mine?"
At this she stopped crying and looked up, looking hopefully at her father and then she started crying a second time.
A third time he asked,"Why are you crying my beloved daughter? I will do anything I can to make it better or fix what is wrong.."
And then she smiled.
Tuesday, September 1, 2015
[Script] Unfood - Page 17
17.
ACT 1 SCENE 7
SCENE EXTERIOR – MARGARET TETHERED TO THE FATSHIP – NIGHT
The Margaret lists back and forth. The strain of the event
causes the rope to chafe against the Fatship until a piece
of the foil is cut and floats away.
SCENE INTERIOR – RADAR OF THE FATSHIP – NIGHT
The Margaret shows up on the Fatship’s Radar.
SCENE INTERIOR – ALERT CLAXON ACTIVATING – DAY
Freight panics. He runs back toward his ship.
SCENE INTERIOR – CARGO BAY OF THE FATSHIP – DAY
Bob is activated. He is sent out a hatch to the outside.
SCENE INTERIOR – HALLWAY OF THE FATSHIP – DAY
Freight runs towards the Margaret. He stops to catch his
breath. He is obviously not in very good shape.
SCENE EXTERIOR – TETHER BETWEEN THE MARGARET AND THE FATSHIP
Bob cuts the tether. The Margaret begins to drift away.
SCENE INTERIOR – HALL OF THE FATSHIP
Freight gets to the airlock and watches the Margaret drift
away.
FREIGHT
Not good....
END OF ACT 1
ACT 2 SCENE 1
INT – INSIDE OF THE SHIP – DAY
Freight stands at the control center and talks to the
computer.
(CONTINUED)
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